
Theater actor Lukas becomes entangled in a toxic relationship with his influential director Cosima. What begins as a harmless flirtation between the two increasingly develops into a perfidious game of seduction, power, and manipulation. When Philippe, a charismatic actor from Cosima's past, appears, the situation begins to escalate.
2026-01-22 00.0

Altmark is located in the northern part of the German region of Saxony-Anhalt. This area of the country is sparsely populated and rural, and is mostly defined by agriculture and a rather frugal architecture reminiscent of that of the Hanseatic cities. It's here that an extensive military site was built in the 1930s. It is used as a training area for the German army and also includes a garrison town, in which parts of the military corps reside. The site covers a surface area of 323 square kilometres. It is the third-biggest military area in Germany and the most modern in Europe.
2026-02-14 00.0

Singapore, 1994. Ah Girl is a curious 7-year-old girl. Since her parents separated, she lives in a small flat with her younger sister, Ah Tian, her easygoing Pa who works nightshifts, and her irritable Grandmother. They see their needy and unreliable Mum on weekends. One weekend, drunk Mum asks if Ah Girl wants to live with her when she gets a bigger flat. This question disrupts Ah Girl's sense of the world, and the rest of the film unfolds as she struggles with the decision. She becomes increasingly aware that her family life is far from normal.
2026-01-31 00.0

Kaama tells the story of a victim whose life is shaped by circumstances beyond their control. Through quiet moments and emotional depth, the film explores pain, survival, and the unseen impact of desire and power. Without revealing answers too soon, Kaama invites viewers to witness a journey of resilience, silence, and truth. A story that asks you to listen, feel, and reflect.
2026-02-07 00.0
So much for a world of total accessibility: the inmates in Farina Mietchen’s documentary can only communicate precariously, and access is unevenly distributed between those on the inside and those they wish to contact. “If you can’t reach me,” a former inmate reminds his Turkish friend, who is still in jail, “try again. I can’t call you back.” Such are the rules in the business of the inmate telephone system. Mietchen listens to her anonymized protagonists as they talk on the phone, watch crime shows together, and make plans for their next visit, while she herself fills out visitation requests. The film’s error-prone DV format reflects this world of fragile communication, so out of step with the times—as is, one might argue, the entire prison system that necessitates it.
2026-02-12 00.0