
A family taboo, a missing story. Using 25 photos and the cold readings of artificial intelligence against his mother’s warm memories, a nephew reconstructs the life of Michele, an uncle lost to HIV and heroin in 1980s–90s Italy, exploring memory, the value of images, and what remains unspoken.
2026-02-19 00.0

In a crescendo of visual hints and sonic traces, Objet d’énigme plays with thriller tropes to depict homes as a dense space in which the memory of murder can be surmised in every frame. Using lo-fi scans of domestic spaces, Objet d’enigme lies bare a pattern in which the female body is the ever-returning protagonist.
2026-01-30 00.0

Kenneth Anger edited his own version of Sergei Eisenstein’s unfinished Mexican reverie, and even showed it at a festival. Alas leaving no trace of the object. Bruce Posner, now, created his own multi-screen variation on the story that lyrically compares moments from ¡Que Viva Mexico! with scenes from Anger’s avant-garde axiom Scorpio Rising.
2026-01-31 00.0

When tasked with an open ended writing exercise, Tetsuya Maruyama used the opportunity to write a near diaristic text about his artistic practice. But, crucially, he decided to forgo words, and instead inscribe his meaning through light on a roll of Super 8. FOTOGRAFAR is a film about a glass of water.
2026-01-31 00.0

In an empty studio space, three female filmmakers re-enact the testimonies of the survivors of sexual violence in Russia, using stop-motion, performance and pseudo-documentary rehearsals. As their fragile and sometimes ambiguous creative process unfolds, the filmmakers become both subjects and guides, inviting viewers into a shared gesture of remembrance, grief and empathy.
2026-02-01 00.0

On October 16th, 1958, a family fled Indonesia. They spent a month at sea aboard the M.S. Sibajak on a voyage to The Netherlands. When they arrived, it was getting winter. Coming from the tropics, the cold was a shock. The family quickly noticed that the spirits who had always been with them in Indonesia were no longer there - they had left them along the journey.
2026-02-01 00.0
In a tender dialogue between the filmmaker, her acrobat partner, and her deceased mother, “Still, Moving” examines life in the wake of death as time ticks by, through the existential musings of a clown in a long-distance relationship. This experimental and intimate film threads together voice notes, journal entries and conversations of the filmmaker, Tash, and her partner, Ange, in an attempt to make sense of their dreams, fears and the major life events that occur whilst on tour: the idea of motherhood after losing a mother, a birthday, an injury. Filmed in East London, across the Netherlands and Latvia, the film explores togetherness when apart and exists, in itself, as an artefact of the relationship.
2026-01-31 00.0