
An unconventional undertaker and his team want to change radically how death and grief are tabooed in our society. Less reticence, more honesty, more empathy. But how do professional undertakers act when they have to handle cases that affect them personally and emotionally? A subtle, a concise documentary about Eric Wrede and his team in action.
2025-11-27 00.0

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.
2025-11-25 00.0

Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.
2025-11-27 00.0

Joseph Zitt’s film dreamtext דברי חלום is a feature-length dream of coming to life in Israel. Four images of dancer Cheryl Nayowitz move past and through images of Israel and words spoken by the Holon Scratch Orchestra, along with music by the ensemble Gray Code. The film and its music are anchored by the song “Sachki Sachki,” sung by Vered Forbes. The film has no story, dialogue, or characters (other than the dancer). While there is text in Hebrew and English, you don’t need to know either language to enjoy the film. The English is a dreamlike text scrambled to approximate what you might hear while falling asleep. The Hebrew words which are heard and seen onscreen during much of the film are streams of consciousness, improvised by women’s voices on the themes of segments of the film. When we hear the song “Sachki Sachki,” the words appear onscreen both in the original Hebrew and in an English translation.
2025-12-14 00.0

Datuna, a 38-year-old man, leads a double life. His usual life is being an archivist at the public TV station. He leads a secret life on social media, transforms himself into his acquaintances, steals identities of women and chats with men. One such identity thefts turns out to be tragic for Margo – his actions ruin the life of a young woman without her realizing the reality behind it.
2025-12-04 00.0